Why the
Crow is Black and the Loon Speckled
‘Legends of the
Northland’ column, Everyland
magazine, June 1915. Digitized by Doug Frizzle, May 2012.
By A. Hyatt Verrill
Author of "An American Crusoe"
"The Cruise of the
Cormorant,"etc.
The spring was approaching in the Arctic, and
little flocks of snowbirds were twittering outside the
igloos on the snow. Soon the Eskimos would be moving into their skin houses and would live much of the time out-of-doors, but it was still cold and
dreary, and the people were glad to
seek the shelter of their ice huts save when fishing or hunting. In
Newilic's home old Nepaluka, ever
busy, stitched steadily away at a pair of sealskin moccasins while her son
bound a tough thong of skin about the
cracked stock of his ancient rifle given him by a whaler in exchange for
musk-ox and bearskins.
Little Kemiplu played about,
running here and there, tumbling
among the heavy robes and furs and
filling the close, smoky air with
childish laughter. Presently she spied a pot of black soot carefully set aside
for future use, and unnoticed she dipped her chubby fingers in the thick black mass and, pleased at its appearance,
daubed it over her round little cheeks. Then, running to her grandmother, she proudly exhibited the
results of her first
attempt at self-adornment. The gentle, patient old woman
dropped her work and threw up her hands in amazement:
"Hail Ai!" she
cried, "what is this, you naughty little one? Are you a little imp, or is
it a little crow I see? Ah, Kemiplu, you are indeed like the
crow. Never quiet for a moment, and now you are as black as when the loon was through with him."
All unabashed Kemiplu cried
out in glee.
"Oh, Ananating,"
(Grandmother), "tell me the story of the
crow and the loon!"
The old woman picked up the
pet of the household in her arms and
exclaimed:
"Ah, you little tease,
you have wasted the father's black and have daubed your face, and what now
but your grandmother must reward you
with a story! Well, my old eyes are tired with the
sewing, and 'twill serve to keep you from
further mischief, so I will tell you
the tale you desire."
"Many moons ago,"
began the old woman, "all the
birds were of one color, white like the
snow, and all the beasts were of one
color, brown like the rocks. One day
the crow, while stealing bits of
skin from the
village of the Eskimos, saw the medicine-man, as he pierced the skin and rubbed in the
black for the tattoo.
" 'Ah,' said the crow, 'how beautiful do the
men make themselves, while we birds
are ugly white and one can scarce be known from
another!' Flying off he soon saw his
friend the loon, and stopped for a
chat.
" 'Ai! Ai!' he cried, 'I
have been watching the Eskimos and
have seen how the men-creatures make
themselves beautiful. What a shame
that you and I cannot do likewise!'
"Now the loon is a very wise bird; indeed, he might be
called a medicineman among the feathered people, and when he heard the crow's story he exclaimed:
" 'And why, brother, should we not also use the
black pot and paint our bodies ? If you, who are so wily, will steal the pot of color, we will try.'
"So the crow flew back to the
village of the Eskimos, and watching
his chance he stole the pot and made
off with it. Then the loon said:
" 'You, brother, have seen the
man use this thing and must know how to use it better than I. Tattoo me first
and I will watch you work, and then
when you are through and I have learned the
trick I wall tattoo you.' " So the
crow took the little sharp bones and
dipped them in the black and commenced
to tattoo the loon's neck. The loon squawked
in pain but he stood still patiently while the
crow decorated his neck with black stripes and dots and made neat black squares
upon his back.
"Then the loon took up the
bone points and told the crow to
stand still while he worked out a pattern. But the
crow—always a coward—danced and hopped at the
first prick, and the needle slipped
and made an ugly, scraggly mark. So the
loon, who is ever quick-tempered, cried out, 'Stand still, or I will throw the pot at you!'
"Then for another while the
crow was quiet, but soon he again began to move and squirm, and the loon, seeing all his beautiful lines and dots
rubbed and spoiled, grabbed up the
pot of black and threw it at the
crow, and the soot spreading and
running over him blackened all his feathers
as he flapped, squaking, away.
"And as the ugly black bird flew off, the
loon, thinking of his own fine tattoo marks laughed loud and long; and even to
this day the crow is black and the loon is speckled, and ever as the loon sits on the
calm water and sees the reflection
of his pretty black and white feathers
he thinks of the long ago and laughs
in wild glee.
"And now, little
daughter, if you are like the crow
surely your father is like the loon, for even as he looks upon your black face
his sides shake with laughter, so I will clean you lest he burst with
merriment."
Thus closing her tale with a
fling at her fat, good-natured son, she began the
difficult task of removing the black
stains from Kemiplu, and presently
tucked the child among the robes to dream of things even more wonderful
than her grandmother's old legends.
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